Top Charts

It is October of Showa 63. In the nation of Hinomoto, where most railway lines have been lost due to massive line closures, there is the city of Ohitoyo in Kumamoto Prefecture. The city, whose economy had been completely exhausted, successfully revived itself through tourism promotion centered around the steam locomotive 8620 and its Raillord Hachiroku, becoming a sacred place for railway restoration. To further encourage the momentum of revival and promote exchanges among railway operators and “Maitetsu” nationwide, the city plans to hold the “First Maitetsu Festival.”

Yoshio and Masami, former lovers, are living together in Tokyo. Although it has been about six months since their breakup, Yoshio remains in Masami's apartment. Struggling with social interactions, Yoshio becomes increasingly dependent on social media while staying in the room. Masami wants Yoshio to move out, but she can't bring herself to say it and continues to worry about him. A social love story portraying the dependency between a man and a woman in their thirties.

Doll modules central to railway transport—Raillords—have gradually revived nearly lost railways through tourism and merchandise. Now, they gather at the 2nd Raillord Summit to further promote the recovery of railroad culture. “Capture the charm of the line with sounds.” Following the host’s guidance—“Learn it firsthand here in Ohitoyo”—the Raillords rush out on their first field recording to capture the sounds they most wish to record.

The night Kazuo found out that his ex-girlfriend was getting married, he met a Taiwanese woman named Yuehua in the park.

Since entering university, Yamato Inada has quietly harbored feelings for Hina Shabana. Mustering his courage, he finally confesses to her—but little does he know, that confession will open the door to a world beyond his imagination. Hina, as it turns out, is a yokai hunter—one who protects humans from supernatural creatures. Yamato is suddenly pulled into this dangerous realm, where attacks by death gods and yokai are part of everyday life. Along the way, they encounter others from this strange world, including the money-hungry yokai hunter Subaru Ikami and a fox shrine maiden. Thus begins the extraordinary adventure of Yamato and Hina.

A mysterious video essay depicting a man in the midst of a moratorium.

Yoshie and Ryoko live together in a share house. Their life is peaceful and harmonious—until one day, Yoshie’s boyfriend, Yuta, returns from studying abroad, and everything begins to change. As Yoshie starts spending more time with Yuta, she unintentionally begins to neglect Ryoko. Feeling a bit lonely, Ryoko eventually finds love too, in a new partner named Airi. However, Ryoko struggles to tell Yoshie about her new relationship. This unspoken tension builds up, leading to a fight between the two. In the heat of the moment, Yoshie storms out of the house...

Kanda (Mitsuru Hirata), a former antique appraiser, moved to Yushima in Kumamoto a year ago. Even after a year, he has had no interaction with the islanders, spending his days simply admiring his collection of paintings and antiques. However, a certain event leads to an unexpected and mysterious bond with Akari (Sora Tamaki), a young girl from the island...

Anzai, a middle-aged man aiming to become a taxi driver. Sachio, a former soccer player who has reached his limits. Remi, a woman trapped in an unrequited love. These three strangers cross paths at a driving school in Ibaraki. An event pushes them to embark on a journey in a training car—one that will force them to face their past and find closure...

After a crushing battle with COVID, Ririko loses all hope and wishes to disappear. That's when she meets Adachi—still haunted by the ghost of his late lover, Eve. Eve longs to move on, but Adachi can’t let go. Ririko makes a quiet offer to the ghost: “Take my body. Live in my place.”

After being laid off from his temp job, Toshiaki sets out with a knife, ready to take revenge on the world. But when he impulsively saves a girl named Chisato from jumping off a footbridge, everything changes. Chisato gives him a chilling choice: kill her, or destroy the world. Toshiaki chooses the latter—and finds himself drawn into her "one kill per person" terror plot, starting with the CEO of a black company. Can he really go through with murder? As the day of reckoning draws near, the line between choice and consequence begins to blur…

On a summer day, two students are on their way to high school. Mai wants to tell Hiroki something, but Hiroki’s unexpected confession turns the day upside down. How will Mai respond?